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ÀúÀÚ : ¿¤¸®ÀÚº£½º Ű½º (Elizabeth Keith)
Born in the Scottish town of Aberdeenshire, Elizabeth Keith traveled to Japan in 1915, the beginning of a nine-year stay in a number of Asian countries. She found herself deeply attracted to Asia¡¯s beauty and culture. Keith visited Korea several times starting in 1919 and worked on watercolor paintings of the Korean culture and daily lives. It was also in 1919 when she held the first-ever exhibition of paintings on Korea in Tokyo and met Watanabe Shozaburo, who led the shin-hanga (New Prints) movement. This encounter led her to start working on woodblock prints. She had a prolific career as a woodblock print artist, mainly working at Watanabe's studio. In her later years, she assumed control of the whole process of etching and woodblock prints.
In 1921, as the first Western-born artist to capture Asian subjects, Keith held an exhibition in Seoul, followed by another in 1934. From the 1920s, she also often held exhibitions in the United States and Europe. Her artworks are in the collections of several top-tier museums and galleries worldwide. Korea happens to be a subject that is most frequently visited in her artworks, and it was those pieces that earned her acclaim. In this sense, it is only fair to say that Keith and Korea have a special relationship. She was also an author of books including Old Korea (1946), Eastern Windows (1928), and Grin and Bear It (1917).
½ºÄÚÆ²·£µå ¾Ö¹öµò¼Å Å»ýÀ¸·Î 1915³â ÀϺ»¿¡ ¿Â ÀÌÈÄ µ¿¾çÀÇ ÀÌ»öÀûÀÎ ¾Æ¸§´Ù¿ò°ú ¹®È¿¡ ½ÉÃëÇÏ¿© µ¿¾ç °¢±¹À» ¿©ÇàÇÏ¸ç ±×¸²À» ±×·È´Ù. 1919³âºÎÅÍ Çѱ¹À» ¿©·¯ Â÷·Ê ¹æ¹®ÇÏ¸ç ¿ì¸®ÀÇ ¹®È¿Í ÀÏ»óÀ» ¼öäȷΠ±×·È´Ù. 1919³â °Ü¿ï µµÄì¿¡¼ ¿ª»ç»ó óÀ½À¸·Î Çѱ¹À» ¼ÒÀç·Î ÇÑ ±×¸²À» Àü½ÃÇߴµ¥, À̶§ ½ÅÆÇÈ ¿îµ¿¿¡ ¾ÕÀå¼± ÃâÆÇÀÎ ¿ÍŸ³ªº£ ¼îÀںηθ¦ ¸¸³ ÀÌÈÄ ¸ñÆÇȸ¦ Á¦ÀÛÇϱ⠽ÃÀÛÇß´Ù. ¿ÍŸ³ªº£ °ø¹æ¿¡¼ ¸ñÆÇȸ¦ ¸¹ÀÌ ¸¸µé¾ú´Âµ¥, ³ªÁß¿¡´Â Á÷Á¢ ¿¡Äª°ú ¸ñÆÇÈÀÇ Àü °úÁ¤À» ¸Ã±âµµ Çß´Ù.
1921³â°ú 1934³â ¼¾çÀΠȰ¡·Î´Â óÀ½À¸·Î ¼¿ï¿¡¼ Àü½Ãȸ¸¦ ¿¾ú°í, 1920³â´ëºÎÅÍ ¹Ì±¹°ú À¯·´¿¡¼ ¿©·¯ Â÷·Ê Àü½Ãȸ¸¦ ¿¾úÀ¸¸ç, ÇöÀç ¼¼°èÀÇ À¯¼öÇÑ ¹Ì¼ú°ü¿¡¼ Ű½ºÀÇ ÀÛǰÀ» ¼ÒÀåÇϰí ÀÖ´Ù. Çѱ¹ ¼ÒÀç ±×¸²À» °¡Àå ¸¹ÀÌ ³²±â°í ±× ÀÛǰµé·Î Ȱ¡·Î¼ ÀÎÁ¤¹Þ¾Ò´Ù´Â Á¡¿¡¼ Ű½º¿Í Çѱ¹Àº Ưº°ÇÑ °ü°è¶ó ÇÒ ¼ö ÀÖ´Ù.
ÀúÀÚ : ¿¤½ºÆê Ű½º ·Î¹öÆ®½¼ ½ºÄà (Elspet Keith Robertson Scott)
Elspet is the older sister of Elizabeth Keith. Elspet ran the New East publishing company in Tokyo for several years starting in 1915 with her husband, John Robertson Scott. In doing so, she came to understand the history and culture of Korea and Japan. When James S. Gale, a missionary, translated and published a Korean classical novel, The Cloud Dream of the Nine, in 1922, Elspet wrote the introduction. It was Elspet who invited her sister Elizabeth to Japan and visited Korea with her in 1919. The sisters joined hands in coauthoring Old Korea, which tells the story of Korea¡¯s reality under the colonial rule of Japan. Elizabeth created the paintings and captions, and Elspet wrote the text.
¿¤¸®ÀÚº£½º Ű½ºÀÇ ¾ð´Ï·Î 1915³â ³²Æí Á¸ ·Î¹öÆ®½¼ ½ºÄà°ú µµÄì¿¡ ¿Í¼ ´ºÀ̽ºÆ® ÃâÆÇ»ç¸¦ ¿î¿µÇß´Ù. ÀâÁö ÆíÁýÀÎÀ¸·Î Ȱµ¿Çϸç ÀϺ»°ú Çѱ¹ÀÇ ¿ª»ç¿Í ¹®È¸¦ Àß ÀÌÇØÇÏ°Ô µÇ¾ú´Ù. 1922³â ¼±±³»ç Á¦ÀÓ½º °ÔÀÏÀÌ Çѱ¹ °íÀüÀÎ ¡¶±¸¿î¸ù¡·À» ¿µ¾î·Î ¿Å°Ü ÃâÆÇÇßÀ» ¶§, ¿¤½ºÆêÀÌ ÀÛ°¡ ±è¸¸Áß°ú Ã¥ÀÇ ³»¿ëÀ» ¼Ò°³ÇÏ´Â ±ÛÀ» ¾²±âµµ Çß´Ù. µ¿»ý ¿¤¸®ÀÚº£½º¸¦ ÀϺ»¿¡ ÃÊÃ»ÇØ ÇÔ²² »ì´Ù°¡ 1919³â¿¡ °°ÀÌ Çѱ¹À» ¹æ¹®Çß°í, ±× °æÇè´ã°ú ÀϺ»ÀÇ Áö¹èÇÏ¿¡ ÀÖ´ø Çѱ¹ÀÇ ½Ç»óÀ» ´ã¾Æ ÀÌ Ã¥À» Æì³Â´Ù. ±×¸²°ú ±×¸² ¼³¸íÀº ÁÖ·Î ¿¤¸®ÀÚº£½º°¡ ±×¸®°í ½è°í, º»¹® ±ÛÀº ¿¤½ºÆêÀÌ ½è´Ù.
ÀúÀÚ : ¼Û¿µ´Þ (Young-dahl Song)
Born in Seoul, Young-dahl Song studied at Seoul High School, Yonsei University, and the University of Georgia in the United States. He earned his Ph.D. in public administration at the University of Pennsylvania in 1967. After teaching politics and administration at Yonsei University and East Carolina University for over thirty years as a professor, he retired as an associate professor emeritus, and is now based in Florida.
Professor Song has long focused on collecting old books, paintings, and other publications on Korea by Western writers and artists. By translating Keith¡¯s books Old Korea and Eastern Windows into Korean, he was among the first to acknowledge the historical and cultural importance of her artwork. Professor Song has held several exhibitions of Keith¡¯s art in museums across Korea and the United States, including the National Museum of Contemporary Art, the Jeonbuk Province Art Museum, and the Gyeongnam Art Museum. He also translated Mary L. Taylor¡¯s Chain of Amber, a story of Seoul under Japanese colonial rule.
In this edition, he provides the whole collection of Keith¡¯s artworks on Korea and includes several pieces on Keith¡¯s life and art.
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