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    Korean Painting 14

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    ISBN: 9781565913479 160ÂÊ 150 x 225 (§®) ¾çÀ庻

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    ¡ºKorean Painting: From Modern to Contemporary, 1945-1980s¡»Àº ±¤º¹ ÀÌÈÄ 1980³â´ë±îÁö Çѱ¹ ±ÙÇö´ë ȸȭÀÇ È帧À» º¸¿©ÁÖ´Â ¿µ¹® µµ¼­ÀÌ´Ù. Çѱ¹ Çö´ë¿¹¼ú ½Ã¸®Áî Áß ¾Õ¼­ Ãâ°£µÈ ¹Ì¼ú µµ¼­´Â µð¾Æ½ºÆ÷¶ó, ¿©¼º ¹Ì¼ú°¡, Ãß»óÀ̶ó´Â ƯÁ¤ ÁÖÁ¦¸¦ ´Ù·é µ¥ ºñÇØ, ÀÌ µµ¼­´Â Çѱ¹ ±ÙÇö´ë ȸȭ¸¦ Àü¹ÝÀûÀ¸·Î ¼Ò°³ÇÑ´Ù. ±¤º¹ ÀÌÈÄ ÁøÇàµÈ ±¸»ó°ú ºñ±¸»óÀÇ ¾ç´ë °èº¸, 70³â´ë ½ÇÇè ¹Ì¼ú, 80³â´ë ¹ÎÁß ¹Ì¼ú µîÀ» Àü¹ÝÀûÀ¸·Î ¼­¼úÇÏ¸ç °¢ ½Ã±â º°·Î È­´Ü¿¡ ´ëµÎµÇ¾ú´ø ÁÖ¿ä À̽´µé°ú ÇØ¿Ü µ¿ÇâÀÇ À¯ÀÔ ¹× Çѱ¹ ¹Ì¼ú°¡µéÀÇ ÇØ¿Ü ÁøÃâ µîÀ» Àϸñ¿ä¿¬ÇÏ°Ô È®ÀÎÇÒ ¼ö ÀÖ´Ù.

    20¼¼±â ÃʺÎÅÍ ¿ì¸®³ª¶ó´Â ÀÏÁ¦½Ä¹ÎÁö, ±¤º¹, ¹Ì±ºÁ¤°ú ¼Ò±ºÁ¤ÀÇ ºÐÇÒÅëÄ¡, Çѱ¹ÀüÀï, ºÐ´Ü µî Á¤Ä¡»çȸÀûÀ¸·Î È¥¶õ°ú º¯È­¸¦ ¸Â´Â´Ù. º» µµ¼­´Â ÀÏÁ¦ °­Á¡±â ¶§ºÎÅÍ ³íÀǸ¦ ½ÃÀÛÇϴµ¥ ´ç½Ã »óȲÀÌ ¿ì¸® Çö´ë ¹Ì¼ú»ç¿¡ ¹ÌÄ£ ¿µÇâÀÌ Å©±â ¶§¹®ÀÌ´Ù. 2ÀåÀº 1945³â ±¤º¹ ÀÌÈÄ Á¤Ä¡Àû À̳信 µû¶ó ¹¶Ä¡°í Èð¾îÁø ¹Ì¼ú ´Üüµé, ¡°½Å»ç½ÇÆÄ¡±ÀÇ ÀüÀ§Àû ¼ºÇâ, ±×¸®°í 1950³â´ë Çѱ¹ÀüÀï±â ¹Ì¼ú°¡µéÀÇ È°µ¿À» ¼Ò°³ÇÑ´Ù. 3ÀåÀº Çö´ë ¹Ì¼ú±³À°±â°üÀÇ ¹ßÀüÀ» º¸¿©ÁÖ°í ´ëÇѹα¹¹Ì¼úÀü¶÷ȸÀÇ Ã¢¼³°ú ±»¾îÁø °üÇà¿¡ ´ëÇØ ºñÆÇÇÑ´Ù. 4ÀåÀº 1960³â´ë º»°ÝÈ­µÈ Çѱ¹ ¹Ì¼ú°¡µéÀÇ ÇØ¿Ü ÁøÃâ°ú ´ç½Ã À¯ÇàÇß´ø ¾ÞÆ÷¸£¸á ¹Ì¼ú, ±×¸®°í ƯÁ¤ À¯ÆÄ³ª »çÁ¶¿¡ ¼ÓÇÏÁö ¾Ê¾Ò´ø ÀÛ°¡¸¦ ¼Ò°³ÇÑ´Ù. 5Àå¿¡¼­´Â 1970³â´ë µîÀåÇÑ °³³ä¹Ì¼ú°ú ÇàÀ§¹Ì¼ú, ±×¸®°í ´Ü»öÈ­¸¦ »ìÆìº»´Ù. 6Àå¿¡¼­´Â 1980³â´ë ŵ¿ÇÑ ¹ÎÁ߹̼ú°ú Çö´ë ¹Ì¼úÀÇ Ãß»óÀû »çÁ¶¿¡ ¹Ý¹ßÇØ µµ¾àÇÑ ±¸»ó¹Ì¼ú¿¡ ´ëÇØ ´Ù·é´Ù. ¸¶Áö¸· Àå¿¡¼­´Â ¸ð´õ´ÏÁò °³³ä¿¡ ´ëÇÑ Áú¹®°ú ½Ã´ë ±¸ºÐ ¹× ¿ª»ç ÀνÄÀ» Á¦°íÇÒ Çʿ伺À» Á¦½ÃÇÑ´Ù.

    ÀÌ µµ¼­´Â Çѱ¹ÀÇ ½Ã´ëÀû È帧°ú ÇÔ²² Çѱ¹ ±ÙÇö´ë ¹Ì¼úÀÇ Á߽ɿ¡ ÀÖ´ø ÀÛ°¡¸¦ Å« ±×¸²À» ±×¸®¸ç ÆÄ¾ÇÇÒ ¼ö ÀÖÀ¸¸ç, ±×µéÀÇ ÁÖ¿Á °°Àº ȸȭ ÀÛǰÀ» ´Ù·® ¼Ò°³ÇÑ´Ù. ±¹³» È­°¡ÀÇ ¿ì¼ö¼ºÀ» ¼¼°è¿¡ ¾Ë¸®´Â ÁÁÀº ±âȸ°¡ µÉ °ÍÀ̰í Çö´ë Çѱ¹¹Ì¼ú»ç¿¡ ´ëÇØ ±ÕÇü ÀâÈù °³¿ä°¡ ÇÊ¿äÇÑ µ¶ÀÚ¿¡°Ô ÀûÇÕÇÑ Ã¥ÀÌ µÉ °ÍÀÌ´Ù.

    General View of Korean Artists and Their Paintings from 1945 to 1980s
    History of Modern and Contemporary Korean Painting


    Korean Painting: From Modern to Contemporary, 1945-1980s is intended for the use of those who are curious about the modern history of Korean art, especially in the field of the painting. Compared to earlier art book series which focused on specific topic like diaspora-artist, women artists, abstract painting, the newly released book shows the history of modern and contemporary Korean painting through its selected introductions of artists and their paintings from 1945 to 1980s. The book also contains developing stages, historical contexts, important artists, and movements of Korean art history.

    Since beginning of the 20th century, Korean society was a state of confusion and disorganized change: Japanese occupation of Korea, the U.S. and Soviet Union¡¯ military rule, the Korean War, and division of territory. This book contains the individual and group movements and experiments of the period in Korean art world which is closely connected with these political situations. In the first and second chapters, it is presented one by one: problem of cultural identity under the Japanese colonial era, art groups of the liberation period, neo-realists group, and art activities during the Korean War. In the third and fourth chapters, it is introduced that the development of art college and National Art Exhibition, and pluralistic movements after the Korean War. The fifth and sixth chapters contain 1970s¡¯ conceptual art and monochrome painting, and 1980s¡¯ Minjung art and realism art. The last chapter deals with the terms of modernism.

    The book will encourage readers to take an interest to the ceaseless struggles of Korean painters and to understand the many causes of the actions behind various conflicts between generations, schools, and tendencies. This book will continue to help the world public¡¯s understanding and interest in modern art by introducing not only the modern art of Korea but that of foreign countries.

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    ¡à Çѱ¹¹®È­¿¹¼úÀ§¿øÈ¸¿Í ÇѸ²ÃâÆÇ»ç´Â Çѱ¹ Çö´ë ¿¹¼úÀÇ È帧°ú Ư¡À» ÇØ¿Ü¿¡ ³Î¸® ¾Ë¸®°í ±¹Á¦¿¹¼ú±³·ù ÁõÁø¿¡ ±â¿©Çϱâ À§ÇØ ¿µ¹®ÆÇ ¡ºÇѱ¹ Çö´ë¿¹¼ú ½Ã¸®Áî(Contemporary Korean Arts Series)¡»¸¦ 2011³âºÎÅÍ ¿¬°£ 2~4Á¾¾¿ Ãâ°£ÇØ¿Ô´Ù. ¿ÃÇØ¿¡´Â ¡¸Korean Painting: From Modern to Contemporary, 1945-1980s (Çѱ¹ Çö´ë ȸȭÀÇ È帧)¡¹, ¡¸Postmodern Art in Korea: From 1985 on (Çѱ¹ÀÇ Æ÷½ºÆ®¸ð´ø ¹Ì¼ú)¡¹À» Ãß°¡ ¹ß°£ÇÏ¿© ÃÑ 15±Ç ½Ã¸®Á ¿Ï°£ÇÏ¿´´Ù.

    Arts Council Korea and Hollym Corp., Publishers have been unveiling Contemporary Korean Arts Series since 2011, by publishing two to four titles each year, to promote current status and specialty of Korean contemporary arts overseas and to improve interchanges of arts around the world. The two volumes of the series, among fifteen in total, published this year are Korean Painting: From Modern to Contemporary, 1945-1980s and Postmodern Art in Korea: From 1985 on.

    ¡à º» ½Ã¸®Áî´Â Çѱ¹ Çö´ë¿¹¼ú Áß Æ¯È÷ ¿¬±Ø, ¹Ì¼ú, ¹«¿ë, À½¾Ç ºÐ¾ß¸¦ ÁýÁßÇÏ¿© ¼Ò°³Çϰí ÀÖ´Ù. ½Ã¸®Áî 15Á¾ Áß ¿¬±Ø ºÐ¾ß´Â 3Á¾, ¹Ì¼ú ºÐ¾ß 5Á¾, ¹«¿ë ºÐ¾ß 3Á¾, À½¾Ç ºÐ¾ß 3Á¾, ¹× °ÇÃà ºÐ¾ß 1Á¾ÀÌ Ãâ°£ µÇ¾ú´Ù.

    This series have mainly introduced Korean contemporary art field on drama, fine arts, dance, and music. Among total 15 books, 3 are on dance, 5 are fine arts, 3 are on dance, 3 are on music, and 1 is on architecture.

    ¡à ARKO´Â º» ½Ã¸®Á Ãâ°£ÇØ ¿À¸ç ÇØ¿Ü ¹®È­¿¹¼ú °ü·Ã ±â°ü, Àç¿Ü°ø°ü, Çѱ¹ÇÐ °³¼³ ´ëÇÐ ¹× µµ¼­°ü µî ¾à 600°³ ó¿¡ ¹èÆ÷ÇÏ¿© ÀÚ·á·Î¼­ÀÇ À¯¿ë¼º¿¡ ´ëÇØ È£Æò ¹Þ¾Æ ¿Ô´Ù. º» ½Ã¸®Áî´Â ±× Á߿伺¿¡ ºñÇØ ÇØ¿Ü ¼Ò°³ ÀÚ·á°¡ Å©°Ô ¹ÌÈíÇÑ Çѱ¹ÀÇ Çö´ë ¿¹¼úÀ» ¿Ü±¹ ¿¹¼ú°è¿Í ´ëÁß¿¡°Ô È¿°úÀûÀ¸·Î ¼Ò°³ÇÒ ¼ö Àִ åÀ¸·Î, Çѱ¹ ½Ã°¢¿¹¼ú°ú °ø¿¬¿¹¼úÀÇ È帧°ú Ư¡À» ÇØ¿Ü¿¡ ³Î¸® ¾Ë¸®°í ±¹Á¦ ¿¹¼ú ±³·ù¸¦ Ȱ¹ßÇÏ°Ô ÇÏ´Â Ã˸ÅÁ¦ ¿ªÇÒÀ» ÇÒ °ÍÀ¸·Î ±â´ëµÈ´Ù.

    Reference materials regarding contemporary Korean arts for foreigners had been quite insufficient for its importance. Now, stepping on the road to the world to meet with the artists and the public overseas, Contemporary Korean Arts Series will be presenting trends and specialty of Korean arts and boosting international artistic exchanges.

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    • ¼­¿ï´ëÇб³ ´ëÇпø ¼­¾çÈ­°ú Á¹¾÷
    • Å×»ì·Î´ÏŰ ¾Æ¸®½ºÅäÅÚ·¹½º ´ëÇб³ ¿ª»ç¿Í °í°íÇаú Á¹¾÷ (¹Ú»ç)
    • ´ëÀü ½Ã¸³¹Ì¼ú°ü Çп¹¿¬±¸½ÇÀå (2005)
    • ÇöÀç ±¹¸³ ¸ñÆ÷´ëÇб³ ¹Ì¼úÇаú ÀçÁ÷

    • BFA in Painting, College of Fine Arts, Seoul National University
    • MFA in Painting, Seoul National University
    • Ph.D. in Archaeology and History of Art, Aristotle University of Thessaloniki
    • Former Chief Curator, Daejeon Museum of Art (2005)
    • Associate Professor of Department of Fine Arts, Mokpo National University (since 2006)

    ÁÖ¿ä Àú¼­ Major Publication
    • ³í¹® Academic papers
    ¡¸À¯Å¬¸®µå ±¤Çаú Ãʱ⠼±¿ø±Ù¹ý ÀÌ·ÐÀÇ Çü¼º¡¹(¹Ì¼úÀ̷аú ÇöÀå Á¦18È£, Çѱ¹¹Ì¼ú»ç±³À°ÇÐȸ, 2014. 12), ¡¸ÆÄ³ëÇÁ½ºÅ°¿Í ¹Ì¼ú»çÇÐÀÇ ´ëÁßÈ­: ¡ºµµ»óÇØ¼®ÇÐ ¿¬±¸¡»(1939) ´Ù½Ã º¸±â¡¹(¹Ì¼úÀ̷аú ÇöÀå Á¦17È£, Çѱ¹¹Ì¼úÀÌ·ÐÇÐȸ, 2014. 6)
    ¡°Euclid¡¯s Optics and Formation of Nascent Linear Perspective Theories¡±, ¡°Panofsky and the Popularization of Art History: Rethinking Studies in Iconology (1939)¡±

    • °øµ¿ Àú¼­ Co-authored books
    ¡º¼­¾ç¹Ì¼ú»çÀü¡» (¹ÌÁø»ç, 2015)  Western Art Dictionary

    • ¹ø¿ª¼­ Translation
    ¡º°í´ëÀÇ Àç¹ß°ß  - ±×¸®½º ¹Ì¼ú¡» (¿¹°æÃâÆÇ»ç, 2004) Greek Art & Archaeology

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